Journalists covering a tragic event are often swept with the flow of other people’s emotions, often mediated by an overdose of messages crafted to overwhelm. It’s often challenging, in such situations, to locate the true colour of your emotions, and to draw that elusive line in the shifting sand between what you feel and what you are expected to feel. Inevitably, though, a journalist may choose to play the story as he or she wants the reader to feel it. If that amounts to betrayal — of the subjects in the story, the true nature of emotion, and of the real truth thereof — the writer shall forever be haunted by it. . . . → Read More: Two 9/11 stories


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